Sunday, August 23, 2009

Sinéad O'Connor




















This 'lack of inspiration' malarkey was starting to get on my nerves so I decided I needed to snap out of it and get drawing again. I saw Sinéad's face and just thought that's it - no other reason really. I don't like or dislike her, but she is very beautiful even without make-up and a shaved head - I wish I could get away with it! I've listed the pencils used on my other blog, but basically I stuck with the Derwents and again the paper is by Paperchase. I think I'm getting a bit lazy but it really is so much quicker to draw on brown paper. The scans are always disappointing but in reality the colours look quite vivid against it and even though the technique is quite 'rough and ready' compared to the way I work on white paper, the same subtlety is possible in a fraction of the time.




















I'm throwing this one in as it's not worth a post on it's own and I forgot to post it. I really ought to remember how much fun it is to sketch from TV. Even though they are not brilliant I really love doing these. I liked the woman's face at the top as it was so flat and she had a funny expression, and the girl below as she had, er, rather a large nose. She looks almost like a cartoon so I just played that up with some colours. I've now got myself a pencil wrap and it's made drawing from the TV a lot easier. I just unfold it in front of me rather than hauling a big tin of pencils from my room.

Saturday, August 15, 2009

Inspiration

Alex bought a new computer, just as Paul did a couple of years ago, to put together himself over the summer holidays. That meant he needed a larger desk and Alex decided he rather liked mine...Long story short, I've been without a desk and chair - and my laptop! - for a few weeks while he got sorted. Inspiration had dried up so that wasn't a big deal. However, I thought I might as well replace my desk with a longer one, get rid of the little 'overflow' desk I had (bit of an eyesore) and this led to (what I thought would be) a 'bit' of re-arranging in my room. Well, one thing lead to another and I've practically re-arranged the whole house! The bomb shelter has never looked so tidy! The extra length of the desk allows me to keep the sewing machine on it without having to clear everything else off. Funnily enough, it was putting the machine on it that got the creative juices going again but I'm not going to analyse that too much. Here's how it looks -















and here is how the old desk looked (below) when I took a photo of it in Kuwait. No space for sewing and drawing - it was one or the other.

 

These are the fabrics on my desk at the moment.














I've been mulling over 'inspiration' and why it ebbs and flows and although I think it's a natural process and best not forced or worried about, I do think colour may be the key for me to unblocking it. At the same time as I was looking at the painter's colour swatches (of the last post) I had put another bookcase in my room (unearthed in another part of the house I had tidied!) and that meant I had space to put my jars of beads out where I could see them. I love looking at those beads so even if I never use them, I feel I've got value for money out of them!
 


















When I'm thinking of making a quilt, I pull a whole load of fabrics onto the floor and throw them around to see how they look in different groupings. It triggers the brain to go through a visualisation process sorting through combinations of colours and patterns. I have two colourways that I keep going back to - the warm, intense autumnals, with colours like purple, green, gold, russet and chocolate brown - and the bright, clear colours in the fabrics above - usually purple, pink, orange, red, blue, green- a combination of warm and cool. With fabrics the process is pretty simple: the prints and colours are the triggers. Occasionally a pattern will inspire me to find the fabrics and colours I prefer to the one shown. In Kuwait, a few years ago, I bought a scrapbook for images that inspire me and I came across it again when I was sorting out my bookshelves. The strange thing is, even though it's supposed to be for inspiration, I realised it hasn't directly inspired me to do anything at all! Does that mean it has failed? I'm not sure but I thought I'd make more of an effort to fill it because I think it will reveal interesting patterns. This is one of my favourite pages and there are those autumnal colours again -
















I love spirals and again, those warm colours but this time more subdued.
















I realised with this spread, below, I have a tendency to go for warm combinations but with cool accents.















They say artists see the world from different viewpoints like vast panoramic landscapes, middle distance or close up and I'm definitely the latter.
















Gorgeous beads, gorgeous colour combinations. The wires could be lines with a pen.



















I try to keep similar things together. The page on the right, below, has small illustrations that look like watercolour. The style is quite precise, very confident. Most of these are from Good Housekeeping magazine and the illustrations around Maureen Lipman's column were done, I think, by Michael Frith who now works for The Sunday Times. I have a couple of his portraits cut out and kept in my scrapbook too, he's one of my favourite artists. More portraits here. (The likenesses are perfect but the style is loose which, I think, is a really wonderful combination.)















One of the features of Flickr that I find really fascinating is the ability to save images to a favourites page. (Here is one of my pages.) I tend not to look at those that have thousands of favourite images (they may not be very discerning) but in general a look at these pages is a clear indication of someone's style. Adding an image they really like, every now and then, a pattern emerges maybe without them being aware of it. From my pages I see another combination I love and that is black and white in combination with bright, strong colours. From that, I suspect, some time in the future I will eventually get to working with pen and ink and hopefully watercolour. Humour too is apparent in my Flickr pages and my scrapbook but not so much in my own work. So even though the scrapbook hasn't directly inspired me to create anything, recognising patterns and our own individual 'creative building blocks' might be enough to get started again. I know from experience too that just doing some little thing, anything at all, is enough to get the ball rolling. And, of course, on the positive side, you could forget about it altogether and get on with all the jobs you've been putting off for months and clear and tidy the decks ready for when inspiration strikes in it's own sweet time!

Friday, August 14, 2009

What's your favourite colour?
















I was quite taken with these colour swatches a painter left us with this week. They all splay out like a fan on one pivotal point but you can also pick out a select few and play with colour combinations. I wonder if he wants it back...?

Funny, the trivial things we remember. I always found the question 'what's your favourite colour?' very odd. Back in the 70's it was often asked of pop stars and I remember Merrill Osmond saying blue, Roger Taylor saying silver, and Freddie Mercury saying black! Of course, it was meaningless drivel, filling column inches for the ravenous teenyboppers back then, but I kept thinking about the question. How is it possible to choose one over any other? If I choose that deep apricot colour, does that mean I really prefer it to that lovely warm, banana yellow? But then again, what about that gorgeous greeny turquoise, could I choose that over a pinky purple? Sounds so simple, but no, for me it's right up there with 'what is the meaning of life?' and ' but is it art'!

Tuesday, August 04, 2009

Places of worship




















As a result of starting a blog I now try to take photos of the things and places that I would most likely have overlooked before. Everyone goes shopping but when do we ever take photos of things like supermarkets? I wish I had in the 70's. I remember my local Tescos having frozen flies in the ice cream cabinets, a real dive - that's a far cry from the carefully cultivated image it has today! I've been going to Oxford Street, above, since the 60's but I don't think I've got any photos of it. You see quite of few of these little rickshaws now but, you can also see, they are great at holding up the traffic!





















There is nothing you can't get in Oxford Street but it is a bit of a nightmare, pounding the pavements with millions of others, and now there is an alternative - Westfield shopping centre in Shepherd's Bush. I discovered it when I went back in the spring and the scale of it is amazing! I didn't think anything would have as much as Oxford Street but it does and - a big plus - you stay dry in those typical British summer downpours!





















Here's the view that greets you as you come out of the tube station and turn left to walk towards the entrance. The scale of it blew me away the first time I went there but strangely it seemed to shrink with every visit!

Monday, August 03, 2009

Books? Oh no, I don't need any more...
















It's all a bit of a blur now but I think I might have said some words to that effect to Mark just before I went to London... How did I manage to gather so many? I really did try to avoid buying any new art books too.




















It was all going pretty well until I met Katherine Tyrell (of Making a Mark) in Islington for the SAA Art Event. I met Sarah Wimperis too of The Red Shoes - check out Katherine's review here. I was a little disappointed with the range of supplies they had but I still found some useful things there. There were some plastic viewfinders that I thought would be pretty handy for looking at composition and perspective when I'm drawing in public because I tend to be so nervous, all thought of these things tends to be forgotten. In all I picked up four - a Perspective Finder, a Picture Finder, a Tonal Value Finder and a Scale Finder. Strange really, as I have a real aversion to dividing up tones into a certain number and I refuse to change a photo to black and white to help see values. I've only once felt that would be useful, with this cup I drew. I still haven't worked out if the teal or the brick red is the darkest but I feel it's up to the artist to interpret it, whether it's accurate or not is beside the point. It's curiousity really about watercolours and how Charles Reid works out value - maybe it will help or maybe I'll feel that is irrelevent to me too.

As Katherine mentioned, I bought the Charles Reid book and DVD for the price of one which was a real bargain. The one thing I was looking for was a DVD by Billy Showell, who does lovely detailed botanical drawings, and I was surprised that they were all sold out by the second day. I bought her book, Watercolour Fruit and Vegetable Portraits, and the DVD arrived today - someone took my name and address and despite not living in the UK, I paid less than full price (£14.99 instead of £17.99) and I wasn't even charged postage.

The landscape book is Landscapes Problems and Solutions by Trudy Friend and looks to have lots of practical advice - I have real trouble finding techniques to represent trees and landscapes! The Decorated Page by Gwen Diehn and Collins Artist's Little Book of Inspiration by Hazel Soan were found in Green & Stone. Both are the sort of ideas books that I feel give you a general sense of inspiration rather than hit you with anything specific. I like looking at decorated journals but I often feel that the illustrations are poor but the effect of the text makes up for it - overall it looks gorgeous but don't look too closely or analyse too much. It's something that interests me though - I've been keeping a food diary since March (since that migraine inducing 'aspartame episode!') which is expanding and I can see me expanding it further to include drawings.



Overall though, I've had a terrible lack of inspiration for quite a while now. I've noticed other bloggers mention this too so maybe it's something in the air or maybe after two to three years the novelty of blogging naturally wears off. Like them, I've felt that the need to keep the blog updated drives me to create art a little too frequently and something is lost as a result. Eventually you feel overwhelmed, not only by the need to create but to keep up with what everyone else is doing. I feel the worst is now over but I still haven't felt the spark of inspiration. I've done a lot of analysing this year about what it is that has driven me in the past and whether it is actually relevant now. Constantly reading about other artists striving for this or that and constantly needing validation can make you feel maybe you need it too. It was exhibiting last year and being quite underwhelmed by it that was the catalyst for me. A well meaning remark about my work a little while ago also made me wonder if there isn't actually an expectation for artists to chase fantasies and to be -dare I say it?- desperate. Is it time to step off the hamster wheel and simply enjoy?



I'm often told I'm too critical of my own work but the truth is I love what I do. No artist, even beginners, would continue if they didn't love something in their own work or believe, deep down, there is a huge well of potential even when no-one else can see it. But I'll never be complacent, and I'll always try to view it objectively otherwise I'll stagnate. I can love a drawing and pick holes in it at the same time! However, something I learned about myself in recent years is that I don't get any satisfaction from things that I find too easy. A drawing must take some effort, there must be a point when I feel very uncomfortable, when perhaps I might even feel I've completely lost my ability and I should give up! Maybe I'd started coasting? That might explain why the dreaded watercolours have come out again - I just cannot get to grips with watercolours! So I'm not quite sure how all this will work out - I need to take another direction but not in the dramatic way I did with colour pencils, completely replacing my graphite drawings. I want to be able to 'expand my repertoire' but putting pressure on myself to regularly update the blog doesn't give me the necessary breathing space to do that - not to mention that I don't fancy posting some really crappy paintings while I'm trying out things! So maybe it's best to just 'see how it goes', enjoy the summer and hopefully it will resolve itself!

Sunday, August 02, 2009

There's no place like home...

I couldn't help thinking, when I was in the care home, that if life is a journey, then this might possibly be the final destination. Things like cancer, stokes, heart attacks might be the stations along the way where we might have to get off but if we live long enough, is this it? Is this where we we all end up, if we can no longer look after ourselves?

Who was it that said life is what happens when we are busy making other plans? We seem to live our lives like ants, busy being busy, not seeing, or maybe trying not to see the bigger picture. Stepping into the care home was like stepping into a secret, hidden world. Why was that? Is it that we don't want to acknowledge our mortality, don't want to deal with issues that make us uncomfortable so we wrap it up and hide it away? Is that why public places, public buildings, public transport only accommodate healthy, able bodies? Keep the elderly and disabled in their places? We stare at people who are disfigured, frown at mothers who dare take their babies and prams on the bus, curse the old person in the wheelchair keeping us waiting at the zebra crossing. How dare they invade 'our' space!

As I mentioned before, I have an issue with artists' anatomy books featuring only slim, athletic types. I have an issue too with male artists who claim to paint the beauty of the human form and somehow only see that in young, white, slim females. (To fend off the usual accusations I'm white, not overweight, and have held that opinion since my teens. And a thought occurred to me that cosmetic surgeons probably have more knowledge about how bodies look as they age than most artists.) The media too, focuses on such a tiny proportion of the human population, that it's no wonder we have no idea how diverse we are really are, and how warped this view is. We are supposed to come in all shapes and sizes, all colours and attitudes. The magazines cast off their ageing models, the newsrooms let the middle aged female presenters go, and Hollywood actresses repeatedly go under the knife to stay in employment (playing, for example, the impossibly glamorous mother of a man who looks only ten years younger!) so we never get to see females as they really are, the natural progression. We see more years as taking away value instead of adding it. (And to say women age and men only get more 'distinguished' is just another delusion.)

My grandmother was a very gentle, softly spoken woman who, I remember, always seemed to be smartly dressed in a woollen suit and blouse - even during one of our last visits when she was sitting next to a blazing fire in July. During one of those visits, a 'friend' of hers, (for want of a better word, but everyone knew everyone in Ireland in those days) a jolly, loud overbearing woman, came in and started talking down to her. Clearly she thought she was deaf and slow. I must have been about 11 or 12, but it taught me a lesson in never judging a book by it's cover. My grandmother gently smiled, answered respectfully and showed no sign of irritation, but when she left she said something very witty (I wish I could remember it!) and made us all laugh. So she was elderly, so she didn't compete to be as loud or as 'clever', but it was the big bumbling woman who looked small.

An assessor came into the room and asked my mother, "Do you like it here?" My mother smiled and said "oh, yes, I love it". My brother and I looked at each other. Well, how would anyone answer that question, when you are lying in bed in a care home? Irony isn't listed in the handbook for the elderly. They are supposed to be sweet, funny, childish, deaf, and completely off the planet. My mother is being well looked after, thankfully, but I did wonder if any of those nurses saw themselves lying in those beds or slumped in those chairs, and could imagine how they would feel about someone half their age were talking to them as if they were 5 years old and deaf?

I remember reading a question about animals on farms and why, when one of their group is slaughtered in front of them, don't they realise their own reality and try and escape? It seems to me, that we humans are no different. We know we could wake up one day, have an accident and spend the rest of our lives in a wheelchair. We see how others suffer, we see how we can end up, but for some unexplainable reason we really believe unfortunate things only happen to other people. Therefore, we don't have to worry about it or make allowances for it, and we really rather not have to see these people and so make sure they are kept safely out of sight.

A few weeks ago, I was in Globus, an up-market department store here in Geneva, and I noticed a woman customer look me up and down, focus on my shoes and give me an extremely disdainful look. It was a pair of sandals I've had for many years and had seen better days but I'm fond of them and loathe to get rid of them. But really, is my worth as a human being tied to what I wear? We, in the west, are offended by all sorts of ridiculous things like having your roots showing, or your cuffs being the wrong length. It's beyond obscene. For millions of people every day is a fight for survival and on the same planet there are people with more money than they or their grandchildren will be able to squander, getting offended by the sight of someone with last seasons Prada handbag.

As more women are starting to look like Barbie dolls and even men are succumbing to the pressure to go under the knife in order to conform to an impossible ideal, I wonder when it's all going to end? Is a phase that will eventually go full circle and we'll all look back in horror? What were were all thinking, all trying to look like those plastic celebrities?! Probably not. But ageing is normal and inevitable, why do we fear it so much? We are all ageing at the same rate, but if we only value youth and beauty, then, presumably, we will all lose our value eventually.

Saturday, August 01, 2009

Back from London
















One of Mum's neighbours has the loveliest Hydrangea in their front garden and every summer I keep meaning to take a photo of it. This shot doesn't really do those shades of pink and lilac justice.














The visit was really to see Mum who is now in a care home, so I'm feeling a bit drained by it and not really ready to get back into blogging but I have a handful of photos I'll post over the next few days. Funnily enough, just as I finally got around to taking a photo of those Hydrangeas, there was the same type but in pink, in the garden of the care home.