There were some sheep still alive in Kuwait after yesterday. Three of them. At the end of the street. I know because they deliberately didn't die until the moment I drove past them this morning. I'll spare you the details.
While I was out, I picked up a Hello! magazine (gasp, shock horror, I know!) but it was something meaningless to take my mind off it. That may have made me feel worse. I needed a cup of tea and a Curly Wurly to recover from all that glamour! But one thing did grab me, in a spread about the fashion designer Roberto Cavalli. Behind him in one shot was a portrait of him done by Julian Schnabel. It was just amazing and painted on plates. I had to Google him and find out more. I didn't find the portrait but I did come across some really scathing criticism. Schnabel was obviously a big name in the late seventies and early eighties because of his work on plates. That portrait stopped me in my tracks so I could understand that. There was a photo at a film premiere. A list of his work included two album covers. In other words he is a bit of a celebrity.
I was drawing my fridge this afternoon and thinking about how boring it might be to others. I hear so much criticism of realistic drawing/painting and I've even had a couple of hints thrown in my direction about being anal. But when I put pencil to paper, that is what comes out. My drawings all look like mine, I don't fret about 'finding my voice', there it is. (Quilting is a whole other story). So...let's say I loosen up. I work bigger. I find unusual ways of working and push the envelope. I become known. I cause a stir. I mingle with celebs. I become a celebrity artist. My name is linked with a new art movement. And my work gets torn to shreds by the critics...There is something wrong here... I just know it.
5 comments:
You have your drawing style. And i like it a lot.
Hi Felicity
Just so you know, when I made a comment on my blog about your drawings its only because I am green with envy about your drawings... I wish I could draw at all really .. your works are fantastic.
Sandy
You could also get so famous that you end up in "hello" magazine too. If you went down that path you'd end up rich, but poor.Anyway I'm blown away by your drawings and as for the whole art question...well, I think you should just let your sense of humour triumph as always.
Mmn, Julian Schnabel caught the eye of Saatchi in his early collecting days - I believe the latter bought a whole one man show of the former in NY one day. All sold now, though. JS made an interesting film about Basquiat. He has been a fashionista daahlink since the Saatchi success, and critics always love to kick a quick winner, whose rise to stardom is seen to be solely through one eccentric collector.
Being a celebrity is a whole different ballgame from being successful, which again is different from being appreciated, ....
Realistic drawings illicit the 'so what' reaction if they are simply blandly correctly representational and that's it. It seems to be an excercise and not anything more. It proves excellent looking skills and hand to eye co-ordination. But your drawings have a delicacy of approach, a tenderness and a quirky fondness to them - your subjects are caressed. They tell of your personality, I suspect. Your subject would be the sheep and not the slaugher.
I find it interesting that you cannot sketch, as if everything you draw must be absorbed by you, and drawn to you before it is drawn by you. You are quite right: we should enjoy and build on our individual talents rather than envying those of different folks.
Being collected by Saatchi seems to be the kiss of death - and the promise of notoriety! Omega, your comments are so insightful and I'm flattered by the way you see my drawings. Yes, they do have to say something. I tried to keep the challenges light and fluffy but I get drawn to certain things. I think this is why the hand and the Balinese figure were difficult - some connection was missing ( I can't remember buying the figure)
Yes, I do caress the subjects! With my pencil I 'feel' and explore them. It's not the same as a realistic rendition which is why I get stung by criticism of realism. Guess I need to learn not to take it personally! Thank you once again!
Thanks everyone for the encouragement - it's truly appreciated!
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